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Brooke Shields: America’s Princess

402354b4093f2e4b91a5949846469151Brooke Shields: America’s Princess
By Michael Goth

If one young person could be picked who most personified the 1980’s, Brooke Shields is one such person who would come to mind. In fact, in a 1981 cover story Time magazine named Brooke, “The Face of the Eighties”.

Brooke’s career as an actress and model has been filled with contradictions. At a young age, Brooke appeared in several films that caused controversy over the sexual matter in which she was portrayed. As did the series of famous Calvin Klein print and television ads where 14- year old Brooke, often presented in a provocative manner, uttered the tagline “You want to know what comes between me and my Calvin’s? Nothing!”

Off screen Brooke was insecure, suffered from bouts of depression and didn’t lose her virginity until her early 20’s. She also headed a campaign in the early 1980’s to keep cigarettes out of the hands of children. Brooke spoke about these very contradictions in her recently published book There Was A Little Girl: The Real Story of My Mother and Me.

As an actress, Brooke has continued to act into her late 40’s, most notably in the sitcom Suddenly Susan, which ran from 1996 to 2000. However, as an actress Brooke will probably be best remembered for three coming of age dramas, Louis Malle’s Pretty Baby (1978), The Blue Lagoon (1980) and Franco Zeffirelli’s Endless Love (1981).

The only child of Frank and Teri Shields, Brooke Christa Shields was born on May 31, 1965 in New York City. Her parents were divorced before their daughter was even born and though Brooke would remain close to her father and step family, she was raised primarily by her alcoholic mother who could often be both physically and emotionally abusive. Despite this, Terri was very protective of her daughter and kept her safe from the darker sides of fame that have so often consumed many a young celebrity. Also, a real bond of love and affection existed between mother and daughter.

Brooke was the first member of Generation X, those babies born between 1965 and 1978, to achieve superstardom. And her road to the top began when Teri got her daughter cast in an Ivory soap ad when Brooke was 11-months old. A successful career in modeling soon followed.
Brooke’s first film role came at age 10 in the well-made but little known horror film Alice, Sweet Alice. Though like many low budget indie horror movies, Alice, Sweet Alice gained a cult following but quickly disappeared from theaters. Though Brooke’s role is small, she gives a solid performance that showcases her acting talent at such a young age.

Brooke’s break through film came in 1978 with Pretty Baby, a highly controversial film directed by Louis Malle, in which Brooke plays an 11- year old prostitute who lives with her mother in a brothel. Though Teri had it put into Brooke’s contract that her daughter would not perform any nude scenes and that a body double would be required, many questioned her wisdom in allowing her daughter to appear in such a film. Despite controversy over that some felt the film promoted child pornography, Pretty Baby and Brooke received positive reviews from critics. Pretty Baby was a hit overseas but didn’t perform well in America. The film moves at a snail’s pace and, frankly, who wants to see a film about an 11-year old prostitute?

Following Pretty Baby, Brooke appeared in several films that went unnoticed at the box office, though Wanda Nevada and Just You and Me, Kid are very enjoyable. Upon turning 14 in 1979, Brooke would be cast in the film that she would become most known for, The Blue Lagoon.
The Blue Lagoon was a pet project for Randall Kleiser, the director of the 1978 blockbuster Grease. The Blue Lagoon was based upon a novel by Henry De Vere Stacpoole and tells the story of two cousins, Emmeline (Brooke) and Richard Lestrange (Christopher Atkins), who become marooned on a deserted island. Away from the norms of society a passionate love affair develops between the young couple as they enter puberty.

The Blue Lagoon caused controversy over its depictions of underage nudity, though like in Pretty Baby, all of the scenes where Brooke’s character appears unclothed were performed by a body double. Despite its controversy, The Blue Lagoon is a very sweet coming of age story which was beautifully shot in the South Pacific and features strong performances from both Brooke and Christopher Atkins. To this day, The Blue Lagoon remains Brooke’s second best film.

The last film that Brooke would act in as a child actress was the 1981 adaptation of Scott Spencer’s 1978 bestseller Endless Love, the story of a doomed love affair between two Midwestern teens, 17- year old David Axelrod and 15-year old Jade Butterfield. Both Brooke and her mother felt that Endless Love was a good project as the great Italian director Franco Zeffirelli was attached to the film and the actress wanted to work with an artistic filmmaker, which she felt she hadn’t done since Pretty Baby. Also, Brooke loved Zeffirelli’s 1968 version of Romeo & Juliet.

In his autobiography, Zeffirelli: The Autobiography of Franco Zeffirelli, the director said that at first he was hesitant to work with Brooke but once filming began in Chicago, he found the young actress to be of promising talent. In There Was A Little Girl, Brooke spoke about how her famed director often bullied her but that she felt that he truly respected her as an actress.

Endless Love’s cast included unknown Martin Hewitt as David, Jade Butterfield’s (Brooke) troubled love interest as well as a strong supporting cast including Don Murray (Who Brooke said she loved in 1957’s Bus Stop), Shirley Knight, Richard Kiley, Beatrice Straight, James Spader and Tom Cruise in his film debut.

Brooke sites Endless Love as featuring what she considers her best performance which she attributes to working with Franco Zeffirelli. Endless Love is an amazing piece of work that is both moving and disturbing as it tells a story of love young turned obsession. After 34 years, it remains Brooke Shields greatest film and performance.

Avoiding the pitfalls that overcome many young actors, Brooke Shields has continued to work in film and television. The 1993 film Running Wild and the 2005 television movie Gone but Not Forgotten were especially memorable. However, Brooke Shields will probably always be remembered for her early roles as a child actress. As it is my opinion that she was the best there ever was.

James Tucker and Kelsey Zukowski Terrify Us In “Within These Walls”

By Michael Goth

During the late 1960’s and early 1970’s three low budget horror films redefined the horror genre. The films were George A. Romero’s Night of the Living Dead (1968), Wes Craven’s The Last House on the Left (1972) and Tobe Hooper’s The Texas Chainsaw Massacre (1974).

Craven’s film was and remains to this day the most unsettling of the three, which is probably why it didn’t take in nearly as much at the box office as Hooper’s and Romero’s. It’s my guess that until MGM released Last House on video during the summer of 2000 that more people had probably heard about the film then had actually seen it. And that MGM release, like an 80’s release of the film that was banned as a “video nasty”, featured many of the film’s more graphic scenes edited down. It wasn’t until 2003 that MGM put out an uncut version of the film on DVD.

The Last House on the Left starts out rather comical and lightweight before an almost unbearable horror and sense of dread takes over. Even in the early scenes there is a certain intensity and feeling of doom just beneath the surface of the humor.

While recently watching the teaser trailer for a new film currently In production called Within These Walls, I was reminded of my very first time seeing Craven’s classic but unquestionably disturbing classic.

Within These Walls is a psychological horror film written by Kelsey Zukowski and James Tucker, with Tucker directing. The story is about a young woman (Zukowski), who has recently lost her mother. She decides to stay in the house that her mother had lived in. However, the house is home to more than just memories. There is a lurking evil possessing the house that will pray on all of the young woman’s weaknesses and will bring her to the edge of madness like Jack Nicholson in Stanley Kubrick’s The Shining.

Kelsey Zukowski has stated to being an admirer of Wes Craven, which may account for why the scenes in the teaser trailer for Within These Walls feels so much like early Craven such as Last House and 1977’s The Hills Have Eyes. Also, director Tucker seems to have a documentary film like style which Craven also brought to his first two films.

Another trait that the team of Zukowski and Tucker share with Craven is the desire to take an audience on a psychological trip that will test their endurance. When Craven made The Last House on the Left there were cases of grown men crying while watching the film as it presented an intensity and realism in its portrayal of violence that no one had ever seen before.

In an era when many horror movies rely too much on CGI effects and bloodletting to get a reaction from an audience, Within These Walls represents a return to old style movie making when horror was a way to address cultural and psychological issues. James Tucker and Kelsey Zukowski are using horror today very much the way Wes Craven did in the 1970’s.

Then and Now: Jennifer Jason Leigh

Then and Now: An in depth look at the career of actress Jennifer Jason Leigh.

By Michael Goth

Jennifer Jason Leigh is the greatest actress of her generation. 31 years ago at the age of 20 the estranged daughter of actor Vic Morrow warmed herself into the hearts of moviegoers as the sympathetic Stacy Hamilton in the Amy Heckerling directed Fast Times At Ridgemont High.

Jennifer is known for picking roles that she finds interesting and will contribute to her growth as an actress, even if the film has little box office potential. Infact, the Ron Howard film Backdraft in 1991 is the only high grossing movie that Jennifer has ever been it. Even Fast Times was only a marginal hit that didn’t truly find its audience until it was run on cable and released on video.

Jennifer Leigh Morrow was born on February 5, 1962 in Hollywood, California to actor Vic Morrow and screenwriter Barbara Turner. She has an older sister, Carrie Morrow, and a half-sister, Mina Badie, from her mother’s marriage to television director Reza Badiyi. Jennifer is Jewish of Russian descent on her father’s side.

Jennifer’s parents were divorced when she was only two years old. Something that she never forgave her father for. Father and daughter were still not on speaking terms in July of 1982 when Vic Morrow was killed along with two young children during the filming of the John Landis segment of Twilight Zone-The Movie, when a helicopter crashed on the set. So that people would not associate her with Morrow, as a teenager Jennifer changed her professional middle name to Jason after actor Jason Robards, a family friend.

Jennifer studied under Lee Strasburg, the father of method acting, when she was 14 as well as attending Stagedoor Manor Performing Arts Center in New York City. Guest starring roles on such shows as The Waltons and Baretta soon followed as well as a role in the 1981 slasher movie Eyes of a Stranger.
First time screenwriter and former Rolling Stone contributing writer Cameron Crowe went undercover as a high school senior to see how real teenagers acted and what issues they faced. The result was the bestselling novel Fast Times at Ridgemont High, which was bought by Hollywood before it was even published, by producer Art Linson (The Untouchables, Heat, Fight Club), who hired Crowe to write the screenplay and newcomer Amy Heckerling to direct.

Fast Times at Ridgemont High remains one of the most realistic high school movies ever produced. In the film Jennifer’s character, Stacy Hamilton, is continuously pressured into having sex by her best friend Linda, played by Phoebe Cates, and ends up pregnant and has to have an abortion. If the hysterical banter between Sean Penn as surfer dude Jeff Spicoli and Ray Walston as history teacher Mr. Hand is the comical highlights of the movie, then the heart of the film is Jennifer’s Stacy Hamilton. One misconception of teen pregnancy is that only bad girls get pregnant but Stacy is a good girl, though one who should listen less to Linda and more to her own heart.

Another highlight of Jennifer’s early work was the cult horror film The Hitcher. In The Hitcher Jennifer plays alongside C. Thomas Howell and Rutger Hauer. Her character is Nash, a young woman working in a roadside Texas diner who becomes involved in a deadly psychological mind game between Howell and Hauer. Nash is also victim of a terrible death compliment of the deliciously evil Hauer.

In 1990, Jennifer received great critical recognition for playing troubled prostitutes in Miami Blues and The Last Exit to Brooklyn. She received the New York Film Critics Award for Best Supporting Actress for Miami Blues and the Boston Society of Film Critics Award for Best Supporting Actress for Last Exit. The late great Chicago Tribune critic Roger Ebert named The Last Exit Out Of Brooklyn as one of the best movies of 1990 and praised Jennifer for her performance.

In the early 90’s, Jennifer flirted with mainstream Hollywood success beginning in 1991 in the Ron Howard directed firefighter action-thriller Backdraft where teen pregnancy is that only bad girls get pregnant but Stacy is a good girl, though one who should listen less to Linda and more to her own heart.
Another highlight of Jennifer’s early work was the cult horror film The Hitcher. In The Hitcher Jennifer plays alongside C. Thomas Howell and Rutger Hauer. Her character is Nash, a young woman working in a roadside Texas diner who becomes involved in a deadly psychological mind game between Howell and Hauer. Nash is also victim of a terrible death compliment of the deliciously evil Hauer.

In 1990, Jennifer received great critical recognition for playing troubled prostitutes in Miami Blues and The Last Exit to Brooklyn. She received the New York Film Critics Award for Best Supporting Actress for Miami Blues and the Boston Society of Film Critics Award for Best Supporting Actress for Last Exit. The late great Chicago Tribune critic Roger Ebert named The Last Exit Out Of Brooklyn as one of the best movies of 1990 and praised Jennifer for her performance.

In the early 90’s, Jennifer flirted with mainstream Hollywood success beginning in 1991 in the Ron Howard directed firefighter action-thriller Backdraft where she played William Baldwin’s girlfriend. Backdraft is a fine movie but Jennifer’s part is quite small and really doesn’t give her much to.
Jennifer was given a much meatier role later in the year in Rush. Rush features what may quite possibly be Jennifer’s finest performance as Kristen Cates, a narcotics officer who is assigned to work alongside Jason Patric. The agents falls in love but soon become victims of the very drugs they are trying to get off the street. Rush is an intense and provocative thriller that unfortunately didn’t find an audience.

In 1992, Jennifer was given the MTV Movie Award for Best Villain for her very effective performance as a mentally ill woman in Single White Female who moves in with Bridget Fonda. Jennifer’s character seems normal, almost shy at first, but soon her psychotic behavior begins to surface as she begins to become jealous of the relationship between Fonda and her boyfriend (Steven Weber). Though not a huge hit, Single White Female did respectable business at the box office and remains one of Jennifer’s best performances. Jennifer was also nominated for the Chicago Film Critic’s Association Award for Best Actress.

Jennifer teamed up with Kathy Bates in director Taylor Hackford’s 1995 film adaptation of Stephen King’s bestselling novel Delores Claiborne. Jennifer plays a young woman addicted to pills with a history of childhood sexual abuse, who returns to her hometown when her mother, Delores Claiborne (Kathy Bates), is accused of murder. The film is one of the best adaptations of a Stephen King novel and all involved give great performances. Still the movie failed at the box office. Delores Claiborne was also Jennifer’s last attempt to break into the Hollywood mainstream.

Georgia, also released in 1995, was a small low budget film produced and starring Jennifer. The screenplay was written by Jennifer’s mother, Barbara Turner, and like Delores Claiborne touched on the theme of family estrangement. Jennifer plays a rebellious and drug addicted singer named Sadie Flood, who has spent the last couple of years unsuccessfully trying to make it in Las Angeles Sadie returns to her hometown and conservative sister, Georgia, a successful country singer played by Mare Winningham. Jennifer dropped to 90 pounds to play Sadie and also received some of the best reviews of her career.
Jennifer spent the remainder of the 1990’s appearing in small independent films stating that she was uncomfortable with the Hollywood limelight, and preferred to make small personal films with characters that audiences could care about instead of big budget Hollywood productions.

In 2001, Jennifer co-wrote and co-directed (with Alan Cumming) The Anniversary Party about a troubled couple (Jennifer and Cumming) who have recently gotten back together and are throwing a party to celebrate their 6th wedding anniversary. Jennifer plays Sally, an aging actress who is currently starring in a film. However, the director (John C. Reilly) believes that Sally’s heart is no longer in her acting. Along with Reilly, who appeared with Jennifer in Delores Claiborne and Georgia, the cast was made up of friends of both Jennifer’s and Alan Cumming’s including Jennifer Beals, Kevin Kline, Phoebe Cates, Parker Posey, Gwyneth Paltrow, and Jennifer’s step-sister Mina Badie . Almost the entire cast appeared with Jennifer in previous films. The Anniversary Party is a wonderful and moving film that ranks among the best Jennifer had ever made.

Jennifer Jason Leigh continues to work in small independent films and on stage as characters she cares about and hopes that the audience will as well. At age 51, Jennifer continues to deliver heartfelt performances in roles that are diverse and challenging.

Trapped “Within These Walls” with James Tucker and Kelsey Zukowski!

Of all the monsters, creatures, Demons, serial killers, Zombies, and Vampires etc. Nothing has ever been quit so terrifying as spirits, in my opinion. Why is that you might ask? Well why not? Most of us easily forget that death is the final path all must take. And once that step is taken it’s done, there’s no going back… But the thought that one could come back is both thrilling and terrifying. Could you imagine all the killers, rapists, psychos, and maniacs continuing their work from beyond the grave? Worst yet, how do you stop, let alone hurt something that isn’t even alive?

Now try to imagine being a prisoner in your own home being tormented and repeatedly assaulted by such a force… The thought alone sends chills down my spine. Scream Queen and Writer Kelsey Zukowski (What They Say, Words Like Knives) and Director James Tucker (Aunt Rose, Skinned Alive) join forces to terrify use with WITHIN THESE WALLS. A gripping horror about a young woman trapped within her own home and tormented by unknown forces she is only beginning to understand.

Official Synopsis: A prisoner in her own home, a captive in her own body. Assaulted and trapped with no one to hear her cries for help…and knowing no one will believe her if they do.

This is the terrifying reality Alaina finds herself in when she moves in to the house her mother died in. At first she thinks it’s this loss that is haunting her, but she is soon shown it is something far more malicious and unrelenting. The spirit taunts her as it invades her body, mind, and soul, completely trapping her. Alaina fights for answers on what really happened to her mother if she has any hopes of survival. She must find a way to endure this monster which lives and breathes to rob her of her sanity as it demands a savage hold on her.

Within These Walls comes from the team of Kelsey Zukowski (What They Say, Words Like Knives) and James Tucker (Aunt Rose, Skinned Alive). They set out to dive deeper into a minimalist (practical effects and very little, if any, CGI) but compelling ghost/haunted house story that is far grittier and intense than you typically get from the sub-genre. Zukowski and Tucker were both eager to tackle this taboo and unnerving subject matter, making the circumstances of the main character (played by Zukowski) even more difficult to endure.

Zukowski comments on the collaboration process of the film thus far with filmmaker, James Tucker, “We immediately clicked on this project. We’re totally on the same page of what we want to create artistically through the film and to bring out within the vast capabilities of horror. Even better, we work off one another’s ideas to come up with something that neither one of us would have been able to realize on our own; a true collaborative project, which can be rare to come by. This is only the beginning for the film and world of Within These Walls as well as our future working relationship.”

Everything in the film is centered around a total entrapment through isolation and fear and one’s control being viciously ripped away in nearly every way. Some of these ways are hard to even wrap your mind around, but she is reminded how real and horrible they are, making it impossible to deny the torment that is escalating. Through this haunting, Alaina, the main character, is pushed as we explore the limits of what the human mind and body can endure. It takes place almost entirely in the single location of a haunted house. The only escape seems to be the surreal dream world that is often even more terrifying than the grim reality our character now lives in– thanks to an unknown malicious and demanding force, which slowly suffocates our protagonist.

“I was first interested in the project simply by the subject matter. I’m very drawn to intense horror, taking brutality and struggle and coupling it with rich story and powerful themes, making my main characters go through complete hell and examining how that changes them. The theory of struggle actually showing power as it means you’re still fighting is a major theme in the film and seems to allow Alaina to keep pushing forward in this hopeless battle that is demanding her defeat. There are some very disturbing elements in Within These Walls that push it that much further that I think will really stick with people.” says Zukowski.

“What I like most about this script and our collaboration, is that we were both truly interested in this type of character driven horror.” “We both wanted to and were willing to look closely at how some people deal with this extreme physical and psychological violence.” “Unfortunately, in the news these days, real life stories of captivity and prolonged torment continue to appear, it’s just not the stuff of fiction” says Tucker. “These personal struggles are many times glossed over, but we wanted our main character to have the chance to truly tell her story and include all the uncomfortable details.”

Within These Walls is currently raising funds on Indiegogo, where the teaser trailer can be seen. The film is moving forward with a prospective shoot date to begin around late August or early September in Pasadena, California. Zukowski will be starring in the character-based film, as she struggles to uncover the truth and her inner strength among the suffering she has to endure or find a way to beat. Cory Graham and director, James Tucker will also have featured roles in the film. The rest of supporting roles are currently being cast.

Teaser Trailer
Indiegogo Link:

First Look: Halle Berry’s “Storm” in X-Men: Days of Future Past!

Source: SuperHeroHype / Bryan Singer’s Twitter

Well, I guess my initial thoughts that Halle Berry wouldn’t be returning to reprise her role as Storm can finally be proven wrong. The X-Men Alum himself has just posted a photo of the actress in what appears to be her coolest outfit yet, as well as a new hairstyle. I can’t say I really dig the hair, but that uniform of hers has got ‘awesome’ written all over it. If this is the theme that their uniforms will have, I can’t wait to see the rest of the cast.

X-Men: Days of Future Past is directed by Bryan Singer, and houses an all-star cast in the form of Hugh Jackman, Ian McKellen, Patrick Stewart, James McAvoy, Jennifer Lawrence, Nicholas Hoult, Michael Fassbender, Anna Paquin, Ellen Page, Shawn Ashmore & Peter Dinklage. The film hits theaters next summer, on July 18, 2014.

New Terror-Filled Carrie Trailer Released

The second trailer has been released for the upcoming Carrie remake, based off of Stephen King’s classic novel. Both Chloë Grace Moretz as Carrie and Julianne Moore as the cruel, controlling mother, really shine and give us a taste of what we can expect from the film. Moore in particular gives the trailer an utterly discomforting tone that oddly makes you yearn for more. While I’m not sure I buy someone as gorgeous as Moretz being that heavily ridiculed and ostracized, I can suspend a certain amount of disbelief due to the caliber of acting that is promised to go along with it. I have yet to see anything less than a stellar performance from Moretz and I expect no less of her in Carrie.

Most fans of the original may not have been initially all that excited for another rehashing of a horror gem, but the trailer gives the viewer intentions of staying true to the story with the gritty transition Carrie goes through from timid outcast to a fierce and vengeful woman among a disturbing atmosphere. Carrie is fittingly directed by a female filmmaker, Kimberly Peirce, and is set to be released in theaters October 18.

Twilight Reboot May or May not Be In The Works.

There’s an old saying about never giving in to failure; “If at first you don’t succeed, Try, try again.” Unfortunately, movie studios should have lived by the teachings of Master Yoda instead; “Do or do not, there is no try!” They instead took this ‘try, try again’ method to heart over the years in never giving up on an idea or a long dying franchise. Major studios would later misuse the remake method as way to make more revenue off an overused idea rather than using fresh new ideas. Why wait a considerable amount of time to allow something to fade when you can simple click the reset button and start over. The Incredible Hulk and The Amazing Spider-Man is evidence of that.

We are a little over five months away from the final installment of Stephenie Meyer’s teen heart robbing sparkly vampire series Twilight with “The Twilight Saga: Breaking Dawn – Part 2”. However there seems to be something amiss just over the horizon. It appears that rumors have surfaced about a Twilight Reboot possibly happening within the next decade.

Bloody-Disgusting reported yesterday that there are alleged reports that Lionsgate is reportedly considering rebooting the Twilight series within the next decade and are “already discussing it internally.” And whether we like it or not “It will happen.”

Following this news hitting the web, Deadline contacted Co-Chairman Rob Friedman regarding the allegations of a reboot being mulled over within the company. Friedman then responded with the following reply: “We are not remaking Twilight. We will happily support Stephenie Meyer if she decides to proceed in any way. But this will be the last one unless that should change.”

Before Deadline debunked this news, Bloody-Disgusting said that the studio would “deny it, right here, right now. We’ll get plenty of eggs in our face. Sites will burn us at the stake like a witch during the Salem trials. Still, the fact will remain: it’s true.” However with that being said, Deadline pointed out that while Lionsgate has stated there isn’t any plans as of yet for a reboot in the near future, however author Stephenie Meyer has stated in a few interviews that “she wouldn’t mind seeing a reboot.” So basically whatever Meyer’s decides, Meyer’s will get.

The final installment of The Twilight Saga: Breaking Dawn – Part 2 starring Kristen Stewart and Robert Pattinson is due out in theaters everywhere November 16th 2012.

Extra Tidbit: So if a reboot does happen within the next few years as claimed by BD, do you think it’ll be able to hold on to its devout fandom?

Extra Extra Tidbit: For a reboot I say Team Jacob wins Bella’s heart this time around and no sparkly vampires!

Michael Rooker returns as Merle Dixon in The Walking Dead!

AMC’s The Walking Dead ranked in as one of the highest rated shows on network television last year, but what makes it such an appealing show? It’s not the zombie apocalypse devastating the world, or the action between the living dead and the survivors, nor is it about the horror element all together. What makes TWD so appealing is the human element, the will to see these variety of people from different backgrounds push on through life in a world turned upside down and somehow make it through it all.

Last season we were given a teaser of what’s to come next for Rick and his group, but more importantly, we were given a few hints at the introduction of a few interesting (Michonne), yet sinister (The Governor,) characters from the comic as well as the promise of the return of past characters including Merle Dixon (Played by Michael Rooker) brother of Daryl Dixon. . When last we saw Merle he was handcuffed to a poll on the roof top of a building in Atlanta with vengeances in his eyes for being left behind by Rick and the group. However if this still is any indication about Merle’s wellbeing, it’s that he alive and well and is itching for some payback.

The new season of The Walking Dead returns Sundays this fall on AMC.

Extra Tidbit: So do you think Merle’s reintroduction around the same time as The Governor coming into the picture merely a coincidence, or is there something much more sinister at play here?

Source: AMC

The Full Trailer for True Blood Season Five!

We’re just under a month away from the premiere of the new season of HBO’s True Blood, but like a drug addict addicted to V itching for another hit, June 10th feels like a life time away. Last season left us aching with many questions over so many heart-stopping moments that it’s felt like an eternity since we’ve seen the mystical hick town of Bon Temps.

However for those who tuned into HBO just before the airing of the new episode of Game of Thrones tonight got themselves a little taste of the new season in an extended look of what’s to come this season of True Blood, but fear not my fellow Truebies and Fangbangers alike, I come bearing gifts and words of good tidings, in case you missed it when it aired on HBO tonight you can watch the video below!

True Blood Season 5: Trailer

The new airs Sunday, June 10th, only on HBO.

EXTRA TIDBIT: Is Sookie and Bill’s relationship truly dead? Will she go back to Eric? Or will Alcide get a taste of what he’s been missing out on these last two seasons? Also, what do you think Roman’s introduction will bring this season and exactly what is Russell Edgington’s plan for revenge?

SIDE NOTE: I once tried to make vacation plans for Bon Temps, Kokomo and La Isla Bonita, and was told all three didn’t exist. Some fucker’s been telling me lies. What next, the North Pole is just ice and polar bears? Fucking crazy, I tell you.

C.H.E.W.I.E. Award Winners! [1/4]

Ladies and Gentlemen, readers and fellow movie buffs! Welcome to the 1st annual “Critic’s Honorable Entertainment Winners In Excellence Awards,” AKA The C.H.E.W.I.E. Awards!

Several months ago, our hardworking writing team assembled and began efforts on what would soon be TCW’s very first annual awards show, featuring staff nominated content in multiple categories spanning the entertainment venue, in both mainstream and indie genres. The process of nomination was both anonymous and equally respectful to all aspects of film. And though the process of nomination was strictly handled by our writing staff, the voting process itself was open to all readers and members of our website. And now, after a month of voting; we are proud to deliver to you the results of our awards show in a four-part “Winners Announcement” segment. Thank you for your support and your votes, we hope you enjoy the results of our C.H.E.W.I.E. awards.



Tucker & Dale vs. Evil
Red State
Red, White, & Blue


The Secret Friend
Doll Boy
Izak’s Choice


Straw Dogs
Martha Marcy May Marlene
We Need to Talk About Kevin


Transformers 3: Dark of The Moon
Fast Five
Mission Impossible: Ghost Protocol
Sherlock Holmes 2: A Game of Shadows
Hobo With a Shotgun

Part 2 of Our First Annual C.H.E.W.I.E. Awards: Click Here